c. 1928: Ingle visited Santa Monica in 1928 so that is the earliest possible date for these drawings. They are also in a sketchbook full of drawings from the mid to late twenties.
c. 1928: Ingle visited Santa Monica in 1928 so that is the earliest possible date for these drawings. They are also in a sketchbook full of drawings from the mid to late twenties.
c. 1928: Ingle visited Santa Monica in 1928 so that is the earliest possible date for these drawings. They are also in a sketchbook full of drawings from the mid to late twenties.
c. 1928: Ingle visited Santa Monica in 1928 so that is the earliest possible date for these drawings. They are also in a sketchbook full of drawings from the mid to late twenties.
c. 1928: Ingle visited Santa Monica in 1928 so that is the earliest possible date for these drawings. They are also in a sketchbook full of drawings from the mid to late twenties.
c. 1928: Ingle visited Santa Monica in 1928 so that is the earliest possible date for these drawings. They are also in a sketchbook full of drawings from the mid to late twenties.
c. 1928: Ingle visited Santa Monica in 1928 so that is the earliest possible date for these drawings. They are also in a sketchbook full of drawings from the mid to late twenties.
c. 1928: Ingle visited Santa Monica in 1928 so that is the earliest possible date for these drawings. They are also in a sketchbook full of drawings from the mid to late twenties.
c. 1928: Ingle visited Santa Monica in 1928 so that is the earliest possible date for these drawings. They are also in a sketchbook full of drawings from the mid to late twenties.
c. 1928: Ingle visited Santa Monica in 1928 so that is the earliest possible date for these drawings. They are also in a sketchbook full of drawings from the mid to late twenties.
c. 1928: Ingle visited Santa Monica in 1928 so that is the earliest possible date for these drawings. They are also in a sketchbook full of drawings from the mid to late twenties.
c. 1930: This piece was found among drawings from Ingle's trip to Santa Monica, she went there in 1928, so this piece is probably from around that time.
c. 1920: Part of a notebook that's contents are predominantly from this time. This is another sketch for an illustration which would also likely put it in the 20s or 30s, which is when she did most of her illustration work.
c. 1920: Part of a notebook that's contents are predominantly from this time. This makes sense with the timeline of when she did most of her illustration work, which was the 20s and 30s.
c. 1920: Part of a notebook that's contents are predominantly from this time. It is also possibly a plan for an illustration and Ingle did most of her illustration work in the 20s and 30s.
c. 1920: Part of a notebook that's contents are predominantly from this time. These are more planning sketches for illustrations, she did a lot of work like this in the 20s and 30s.
c. 1920: Part of a notebook that's contents are predominantly from this time. This fits with the date range when Ingle was doing most of her illustration work.
c. 1920: Part of a notebook that's contents are predominantly from this time. This is also in the style and vein of her illustrative works which she did the most of in the 20s and 30s.
c. 1920: Part of a notebook that's contents are predominantly from this time. This is likely another rough sketch for an illustration, she did a lot of this sort of work in the 20s and 30s.
c. 1920: Part of a notebook that's contents are predominantly from this time. The subject matter and approach imply that this is quite possibly a plan for an illustration which she did a lot of in the 20s and 30s.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907:This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907:This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While this is not expressly a Quebec scene it is in a sketchbook filled with Quebec drawings.
1907: This is from a trip that Bertha did with the McGillivray-Knowles studio to Quebec City in 1907. While it is not obviously of Quebec it is in a sketchbook in the midst of all her Quebec drawings.
Possibly 1920: The theory is that this was a teaching demonstration for when she was at the OLC. It is also possible it was an earlier painting from when home-spinning was a more common task.
