The centuries following the advent of the printing press in Europe were characterised by an overwhelmingly male print industry. Guild rules, social norms, and financial pressures conspired to keep women out of the printing workforce. Despite these obstacles, many thousands of women were actively involved in all aspects of the printing business, with some rising to own and operate their own presses.
The books we have selected from McMaster’s Archives & Research Collections celebrate these contributions; we hope to show plainly the significant and ongoing role that women played in print culture during the hand press era.
Here we see examples of presswork from Elinor James, the English controversialist whose 1706 broadside inspired the title of the exhibition; books printed by Denise de Courbes, widow of the French printer Jean Camusat; a pamphlet produced by the completely woman-operated École Typographique des Femmes, established under the Republican auspices of the French Revolution; and selections from the output of women engravers including Marie-Thérèse Reboul and Caroline Watson. These artefacts attest to the skill and resilience of women in the printing trades.